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Documents of the Assembly of the State of New York
  • Language: en
  • Pages: 1002

Documents of the Assembly of the State of New York

  • Type: Book
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  • Published: 1890
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  • Publisher: Unknown

None

Manual of the Railroads of the United States for 1872-73
  • Language: en
  • Pages: 898

Manual of the Railroads of the United States for 1872-73

  • Type: Book
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  • Published: 1872
  • -
  • Publisher: Unknown

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Bibliotheca Americana
  • Language: en
  • Pages: 314

Bibliotheca Americana

  • Type: Book
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  • Published: 1885
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  • Publisher: Unknown

None

The Engineering Record, Building Record & the Sanitary Engineer
  • Language: en
  • Pages: 496

The Engineering Record, Building Record & the Sanitary Engineer

  • Type: Book
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  • Published: 1894
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  • Publisher: Unknown

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Documents of the Assembly of the State of New York
  • Language: en
  • Pages: 1008

Documents of the Assembly of the State of New York

  • Type: Book
  • -
  • Published: 1912
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  • Publisher: Unknown

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Poor's Manual of the Railroads of the United States ...
  • Language: en
  • Pages: 744

Poor's Manual of the Railroads of the United States ...

  • Type: Book
  • -
  • Published: 1872
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  • Publisher: Unknown

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Investigation of the Assassination of President John F. Kennedy
  • Language: en
  • Pages: 1646
Moving Color
  • Language: en
  • Pages: 215

Moving Color

Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful. Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.

Accessions List
  • Language: en
  • Pages: 130

Accessions List

  • Type: Book
  • -
  • Published: 1962
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  • Publisher: Unknown

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